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plus Vacant Stare |
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Friday 7th July, 2000 - Old Angel, Nottingham, ENGLAND. |
This is a venue that I have never been to before and I didn't really
know what to expect. Basically a pub with an upstairs gig room that is very well
equipped. This place is pretty small (125 max) and very loud. The size makes
it almost impossible to get a bad view of the bands (unless you can't get in the room,
that is). On arrival and once equipped with a glass of nasty alcoholic beverage, I noticed the earthtone boys sitting in a corner of the bar. I wandered over to see selected members tucking into a hearty meal of sausage and mash so I did not want to disturb them too much. Oz (guitar) wasn't eating so I struck up a conversation with him, he's a really nice bloke and we talked about stuff ranging from the European tour they have recently completed, their newly recorded album and the fact that today was his birthday. Later after replenishing my glass with more of the most unpleasant liquid, I was surprised but delighted to have Karl (vocals) come and say hello. We had a varied conversation and he hinted at some nice opportunities for the band in the near future. However, the music was about to start.... The opening band of the evening was the excellent Vacant Stare. They gave their all in a outstanding exhibition of enthusiasm. The vocalist (Manning) was a total lunatic, bouncing around the stage, jumping and climbing onto anything that it was physically possible to ascend, invading the crowd and performing individually to almost each and every one of us. The five piece offered us a massive slice of swift chugging hardcore of the more straight forward variety, extreme and exciting, impressive and imposing, raw power and attitude. They included each of the songs from their three track demo EP (available from PO Box 5843, Colchester, CO1 2WY England £5 inc p&p, cash only), personal favourites being "Prognosis" and "Come Face Up" which are two excellent examples of their style and aggression. I thoroughly enjoyed their set, send out a big 'thank you' for the performance and wish them well. I was however surprised to see them opening, as they are far more entertaining and better known than the second band of the evening, a group of locals called Dai Lo. I have never heard of them before, but they did attract quite a reasonable indigenous following which I think was the reason for their middle billing. After the short and nervous five song set, their traditional sound and almost unvarying appearance, for some reason gave a lasting impression of 'cloned skinheads playing Black Sabbath'. They were fine, but left me without any appetite to know or see more. |
.... Earthtone9.... "Your a top crowd. Can't you tell by our accents, that we're from around here?" |
....receive the revelation beaten on a skin drum.... |
As each member of the band take their positions, the instruments
stir. Initially the pops and squeaks of their early awakening, slowly become more
moans and squeals, then to bangs, growls and snarls, before a howl of feedback that
indicates the beginning of their real intentions. "off kilter" washes
through you and as it does the piercing intonation is absorbed. And the entrancement begins.... |
The
offensive had began using attack as the best form of defence with an unknown sound ripping
around us. The gathering seemed not that of the resident horde and after the initial
volley fire it seemed only to be increasingly mesmerised. The inclusion of something reassuringly familiar looked to console some thinking they knew the strategy, |
Afterward, when it was all over and the familiar sound of the birds singing returned, the natural balance of things seemed to comfort those that survived.... |
Go out, buy the albums and listen to their music, get to know it and
then see them live. You wont regret it, it's a real experience of intensity, an
aural mountain of sound, a mountain that once conquered, you understand just how
worthwhile it was and you want some more. ....then the entrancement is complete. Rigsby. Note: All live pictures of the band are the property of Rigsby and may only be used with prior permission. |